The Beauty of Impermanence Blog – Discussions on art and culture from a photographers point of view

Wednesday, March 31, 2010

This blog has moved


This blog is now located at http://blog.bretculp.com/.
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Sunday, February 21, 2010

Bret Culp Photography – Winter 2010 eNewsletter

I've completed my Winter 2010 photography newsletter. Included is information about my updated artist statement, photography talks I've been giving, what I'm working on, recent exhibitions and events, my blog, and the revised edition of my book.

Click here for a web version or here for a pdf.

Subscribe to the mailing list here in order to get all eNewsletters and Evites delivered to you mailbox.


Steps to Elysium, Skellig Michael, Kerry, Ireland, 2010
archival pigment on photo rag

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Monday, January 4, 2010

Picture of the Week – The Transience of Power

My photograph, The Transience of Power, has been selected as the January 4, 2010 GalleryPrint Picture of the Week.  Click here for the GalleryPrint website.


The Transience of Power, Killarney, Kerry, Ireland, 2008
archival pigment on photo rag

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Thursday, December 31, 2009

Framing Photography

The following information about historical photographic framing practices is taken from the wikipedia Fine Art Photography page.  

In light of what is written below, I'm interested in your opinion on what you like in framing – what is gimmicky versus what will stand the test of time, to matte of not to matte, with or without glass, plexiglass mounting, thoughts about printing and mounting on metal, etc.

Until the mid 1950s it was widely considered vulgar and pretentious to frame a photograph for a gallery exhibition. Prints were usually simply pasted onto blockboard or plywood, or given a white border in the darkroom and then pinned at the corners onto display boards. Prints were thus shown without any glass reflections obscuring them. Steichen's famous The Family of Man exhibition was unframed, the pictures pasted to panels. Even as late as 1966 Bill Brandt's MoMA show was unframed, with simple prints pasted to thin plywood. Since about 2000 there has been a noticeable move toward once again showing contemporary gallery prints on boards and without glass.


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Tuesday, December 29, 2009

Norm Amadio and Friends: Norm Amadio

Here is Ashante Infantry's review of Norm Amadio's new CD as it appears in the Tuesday December 29 Toronto Star.  Norman is a friend and a musical collaborator with my wife, jazz vocalist Julie McGregor.

(3.5 out of 4 stars)

Esteemed pianist Norm Amadio called in a few worthy pals (vocalists Marc Jordan and Jackie Richardson, saxophonist Phil Dwyer, Guido Basso on flugelhorn) for his latest project. The result – anchored by bassist Rosemary Galloway and drummer Terry Clarke – is one of the year's top albums. Timmins native Amadio, into his sixth decade of performance, has an extensive resumé that includes collaborations with Miles Davis, Judy Garland and Mel Torme. One of Canada's underrated players, he's innovative and resonant on sprightly tunes penned by producer Andrew A. Melzer that have an air of familiarity; and veteran arranger Peter Cardinali delivers a big band's punch. The disc also includes three clanging but intriguing 1966 recordings of Amadio's celebrated trio with bassist Bob Price and drummer Stan Perry.

Top Track: Amadio has a dreamy solo on "My Love Can't Wait."

Click here for the Toronto Star page.

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Tuesday, December 15, 2009

New edition of my book is available

A revised and updated third edition of a book of my art photography is now available.

A book of haunting and poetic fine art black and white landscape photographs from Italy, Ireland, Canada, the United States, and around the world that focus on themes of resilience, reclamation, and renewal while revealing the beauty of impermanence. Also included is a fitting collection of quotations, proverbs and poetry ranging from the transient to the transcendental.  In addition to brand new work, many of the photographs in the book can be found at www.bretculp.com.



"All that remains of a formidable castle is a crumbling ruin overgrown with vines and moss; sunrise illuminates morning fog drifting silently through a valley in an instant that will exist only once in time; a mountain is gradually devoured by wind and water leaving behind sediment that is already becoming something new. These are photographs that highlight the beauty of each fleeting moment in a world of continuous change – this cyclical and transitory nature of existence binds everything in the material world."
-Bret Culp
Revised and Updated Third Edition: December 2009
Printed on Heavy Weight Premium Paper
ISBN 978-0-9810253-0-8
Published by Bret Culp Photography
Toronto, Ontario, Canada

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Saturday, December 12, 2009

Stimulate your senses at Arta Gallery’s Light of Winter exhibit


My photography in Arta Gallery's Light of Winter exhibition received a nice mention in an article by
Mandi Hargrave that appears in today's Examiner.

Here is a snippet:

When you walk through the doors to the gallery, Bret Culp’s black and white photo of an old castle commands your attention. Appropriately titled,
'The Transience of Power' captures your gaze and locks you in. Whether it’s the size of the photo or its overall beauty, something about it won’t let you look away until you’ve fully taken in its natural charm.

Click here to be taken to the full article.


Photo by Mandi Hargrave

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Thursday, December 10, 2009

Light Of Winter Exhibition


I'm participating in the Light of Winter Exhibition at Arta Gallery at the Distillery District in Toronto. The show opens today.

LIGHT OF WINTER

Arta Gallery, Toronto, Canada
December 9 to December 26, 2009

Opening reception: Thursday December 10 from 6 to 8 pm (TONIGHT)


For a span of two celebratory weeks leading up to and over the holiday season, this beautiful gallery space in the Historic Distillery District will be home to multi-textured original creations of two and three dimensional works to stimulate the senses and feed the soul. The works will include paintings, sculpture, prints, photography, ceramic and glass works as well as jewellery.

Arta Gallery | info@artagallery.ca | 416-364-ARTA (2782)
55 Mill Street Suite 102, Bldg. 9 Toronto, ON, Canada M5A 3C4
Tue-Sat: 11am-6pm Sun: 12pm-5pm Mon: Closed

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Friday, December 4, 2009

Updated Artist Statement – Bret Culp Photography


All that remains of a formidable castle is a crumbling ruin overgrown with vines and moss; sunrise illuminates morning fog drifting silently through a valley in an instant that will exist only once in time; a mountain is gradually devoured by wind and water leaving behind sediment that is already becoming something new. These are photographs that highlight the beauty of each fleeting moment in a world of continuous change – this cyclical and transitory nature of existence binds everything in the material world.


Bret Culp, December 2009




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Thursday, November 12, 2009

OCAD Whodunit? Mystery Art Sale



Whodunit? 2009 – Mystery Art by the Famous and Soon-to-be-famous


I’m thrilled that my photography has been chosen for inclusion in the Ontario College of Art and Design Whodunit? Mystery Art Sale Gala Preview and Silent Auction.

Gala Preview:
Come celebrate art, artists and friends at a fabulous party unlike any other. Preview the hundreds of pieces of mystery art for sale in the Whodunit? Public Art Sale on November 21. Bid on framed 5.5" x 7.5" mystery art chosen exclusively for sale in the Silent Auction or bid on large-scale art by a select group of artists in the Live Auction. Join mystery artists and friends at our exclusive party!

The Whodunit? OCAD Mystery Art Sale is OCAD's signature fundraising event. It's an exhibition and sale of pieces of original art by well-known and celebrity artists, OCAD faculty, alumni and students. Gaining in popularity year after year, the Whodunit? OCAD Mystery Art Sale offers hundreds of original pieces of art donated by artists who are famous and not-yet-famous. Every piece measures 5.5 x 7.5 inches and each piece is $75. Like it - buy it - turn it over and see Whodunit!

http://whodunit.ocad.ca

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Thursday, November 5, 2009

Metaphors Or Idealism?


METAPHORS OR IDEALISM?


Leonardo Galleries, Toronto, Canada
November 2 to November 24, 2009

Opening reception and artist talks: Thursday November 5 at 6:30 pm.




Leonardo Galleries (Yorkville) showcases four accomplished artists specializing in photography and digital art: Bret Culp (Gemini winner), Richard Bornemann (Canadian premier), John Long and Mira Zdjelar. The artist attended opening is on Thursday, November 5 at 6:30 p.m., and this focused exhibit is the first part of the annual winter group show, which runs November 2, 2009 to January 16, 2010.

For media information, artist interviews and images please contact:
Zoya Balija, Owner, Leonardo Galleries

Leonardo Galleries
| info@leonardogalleries.com | 416-924-7296
133 Avenue Road, Toronto, Ontario, Canada, M5R 2H7
Mon-Fri: 10am-6pm Sat: 10am-5pm

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Tuesday, January 27, 2009

Entertainment and Art


Entertainment reinforces what you already know, and tells you that you're right. Art, on the other hand, suggests that what you know is wrong, and that your beliefs might not be correct.


-David Mamet

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Tuesday, October 28, 2008

Artist Statement for The Moment Eternal

Here is my artist statement for my new exhition, The Moment Eternal, which opens today.

Things are either emerging out of nothingness or disappearing into nothingness. It is impermanence that gives transcendence and true meaning to the world. When we accept the transitory nature of all existence we can better appreciate the fleeting pleasures of the world without anxiety for their end. The photographs in this collection capture lyrical instances of a world in constant change revealing a beauty seemingly removed from everyday life, satisfying longed for moments in time.

THE MOMENT ETERNAL
Leonardo Gallery, Toronto, Canada
Ocober 28 to November 19, 2008

Opening Reception: Thursday October 30, 6pm-9pm

Leonardo Gallery | info@leonardogalleries.com | 416-924-7296
133 Avenue Road, Toronto, Ontario, M5R 2H7
Mon-Fri: 10am-6pm Sat: 10am-5pm

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Thursday, October 23, 2008

The Moment Eternal Exhibition

THE MOMENT ETERNAL
Leonardo Gallery, Toronto, Canada
Ocober 28 to November 19, 2008

Opening Reception: Thursday October 30, 7pm-9pm



Captivating new work by Bret Culp and Julie McGregor focuses on intimate moments that express a quietness of spirit. Culp's poetic black and white photographs of Tuscany and Ireland reveal the beauty of impermanence. McGregor's emotional portraits and romantic images of Italy capture longed for moments in time.

Leonardo Gallery | info@leonardogalleries.com | 416-924-7296
133 Avenue Road, Toronto, Ontario, M5R 2H7
Mon-Fri: 10am-6pm Sat: 10am-5pm

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Wednesday, October 22, 2008

‘Tudors’ rule at Geminis

VARIETY MAGAZINE

“The Englishman’s Boy” and “The Tudors” were the big winners on Wednesday at the third and final Gemini Industry Gala, which saw 33 prizes handed out to TV shows in the drama, variety and comedy categories.

Based on Guy Vanderhaeghe’s award-winning 1996 novel about cowboys in 19th century Saskatchewan and the early days of Hollywood, “Englishman’s Boy” roped in awards for direction in a miniseries for John N. Smith, supporting actress in mini for Katharine Isabelle and costume design for Beverley Wowchuk, while Carmen Kotyk took the casting honor.

The miniseries, which aired on pubcaster CBC, stars Nicholas Campbell, Bob Hoskins, Michael Therriault and R.H. Thomson.

Peach Arch Entertainment’s “The Tudors” — produced in association with Reveille Eire, Working Title and CBC-TV — nabbed awards for supporting actress in a dramatic series (Maria Doyle Kennedy), photography in a dramatic series (Ousama Rawi), production design in a fiction program (Tom Conroy, Eliza Solesbury), and visual effects (Bob Munroe, Bret Culp, Terry Bradley, Lisa Carr-Harris, Bill Halliday, Warren Leathern and Bo Mosley).

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